ariestess: (grammar -- from cmzero)
[personal profile] ariestess
Hello again, fellow grammarians! Today we're going to tackle the question "Is adjective order important?" with the generous help of our friends over at Once Upon a Time.

Is adjective order important? )
[identity profile] mab-browne.livejournal.com
Anonymous asked Fandom Grammar When should you repeat a character’s name? If there is only one character in the scene, should you repeat their name once over the course of the paragraph or keep saying "he" or "she"?

Names are useful things and in writing, as in magic, they have power. We get a completely different vibe from Pyanfur Chanur than we do from Slartibartfast.
More under the cut )
[identity profile] green-grrl.livejournal.com
Although we've run features on dialects before (British for Americans, American for Brits), LOLCAT is something new for [livejournal.com profile] fandom_grammar in that it's an English dialect derived from a non-English language. It's also a fairly new dialect, only coming into being with the advent of computer keyboards—pens and typewriter keys having been beyond the abilities of cat anatomy to master.

Native Cat has certain grammatical peculiarities compared to English, which become apparent in the dialect. Let's look at some, with some examples from Torchwood and Inception fanfic. )
[identity profile] supercheesegirl.livejournal.com
Question: [livejournal.com profile] mirror_mirrin asks, What style options are there for sentences which repeat the same word (e.g., "the," "a," "that")? (ex. John leaned over the table at the mess hall to give Rodney a kiss goodbye before leaving for the war games planned on the Athosian mainland.)

There's not really anything wrong with repeating little words in a sentence, but there's something about it that just doesn't feel quite right, isn't there? The example sentence that [livejournal.com profile] mirror_mirrin gives us is a perfectly fine sentence. It's grammatically correct, it's straightforward, it tells us who's doing what and where they're going next. There's nothing wrong with it at all. But it's an awfully long sentence. If you read it out loud, you're going to have to pause in the middle to take a breath. It sounds kind of clunky with all those little words.

The issue here, fans of grammar, is wordiness. There's nothing technically wrong with a wordy sentence, but the faster the sentence can deliver its information, then the faster the reader will understand it. This is even more important for us today because of the internet--people want to get to the point even more quickly when they read online. And a long, wordy, clunky sentence can turn off potential readers, making your story seem overly long and boring. Let's take a look at some strategies for reducing wordiness and getting the point across in a way that pops.

Read more... )
[identity profile] melayneseahawk.livejournal.com

alt text: I just call them all 'synecdoche'.
xkcd
[identity profile] mab-browne.livejournal.com
[livejournal.com profile] shiawaseiro asked: Is it acceptable to use contractions outside of dialogue?

My first thought was that I sure hope so because otherwise I've been doing it wrong for a while now.

Explanations, and examples from Stargate: SG1, The Sentinel, and Sherlock Holmes )
[identity profile] melayneseahawk.livejournal.com
[livejournal.com profile] campylobacter asked:

Can one interrupt dialogue with first person narration? (with examples from Firefly, Stargate SG-1, and The X-Files)

The short answer is yes.

The long answer is under the cut. )
[identity profile] whymzycal.livejournal.com
[livejournal.com profile] sidlj wants to know, “When is it appropriate to use ‘someone/anyone’ versus ‘somebody/anybody’?”

With examples from Weiss Kreuz and Harry Potter. )
[identity profile] lady-ganesh.livejournal.com
An anonymous requester asked: Why aren't as and since interchangeable, and what's the difference?

With examples from Saiyuki, iCarly, and Bones.

Since you asked.... )
[identity profile] melayneseahawk.livejournal.com
"Three Grammar Rules You Can (and Should) Break"
Michelle Pierce, Copyblogger

Description: A list of three grammar rules that never made all that much sense to begin with.

Why Is It Useful? A straightforward explanation of much-mocked rules about prepositions and splitting infinitives, including neat things like pop-culture examples. An ancestor to our own humble efforts?

Quote: Come on: “to go boldly where no man has gone before” just doesn’t have the same ring to it as “to boldly go.” If it sounds better to split the infinitive, then take an axe to it!


"5 Evergreen Editing Tips"
Maria Schneider, Editor Unleashed

Description: Five common mistakes that can easily be corrected in the editing phase.

Why Is It Useful? One would think that these mistakes (run-on sentences, modifier abuse) are simple mistakes to catch, but they're very common. Like the first article, this one lays them out in simple, easy-to-understand ways. This article is written by a professional editor.

Quote: Run-on sentences may seem deep and complex, but are often awkward and difficult to follow. Rewriting into two or three sentences will lead to better flow and readability.


"Follow These Rules for Stronger Writing"
Writer's Digest

Description: Thirteen tips for clean, efficient writing, both prose style and plotting.

Why Is It Useful? This article contains a variety of tips, as well as examples of incorrect and fixed sentences for the grammar and style ones.

Quote: The best prose has a rhythm to it. Honor that rhythm.
[identity profile] melayneseahawk.livejournal.com
[livejournal.com profile] aurora_novarum asked:

When you are expressing an interrogatory of high emotion, how do you punctuate it? (with examples from Stargate SG-1)

While it's generally considered to be cautiously acceptable to use multiple exclamation marks and/or question marks in casual correspondence, it's severely frowned upon everywhere else. However, there are a number of other ways to indicate extreme emotion in your writing without sending punctuation-conscious readers scrambling for the back button.

Five exclamation marks, the sure sign of an insane mind. )

Cut text is a quote from Terry Pratchett.
[identity profile] katiefoolery.livejournal.com
[livejournal.com profile] t_verano poses an interesting question: When is it appropriate to use "which" vs. "that"? What is the appropriate comma use in each situation?

Is there, in fact, a distinct rule that applies to this situation? Or does it depend entirely on mood, which can change from one moment to the next?

Let's find out, with examples from Discworld... )
[identity profile] lady-ganesh.livejournal.com
Dialogue: the Good, the Bad, and the Ugly

With examples from Saiyuki, It's Always Sunny in Philadelphia, NICS, and Weiss Kreuz.

Dialogue is the backbone of most stories. It's a rare story that doesn't feature dialogue, and that's even more true in the world of fanfiction, where setting a scene usually comes second to letting familiar characters interact with one another.

Good dialogue can make your story more believable and interesting. Bad dialogue can make your story leaden, confusing, or dull. So it's important to know both the grammatical and the stylistic rules of dialogue.

Let's start with The Good and the Bad.

I hate listening to people's dreams. It is like flipping through a stack of photographs. If I'm not in any of them and nobody is having sex, I just don't care. )
[identity profile] melayneseahawk.livejournal.com
[livejournal.com profile] forestgreen wanted to know:

How do you indicate internal thought vs. dialogue? (with examples from Stargate SG-1, Heroes, and Supernatural)

Unlike some of the questions we answer here, this is an issue of style, and there is no simple right or wrong answer. There are, however, common conventions you can follow.

Meanwhile, on the other side of the cut... )

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